In my luxury there is shame,
using my thin, Western excuses
to hide from my art.
When I read your story
I heard a trumpet of glory
and a stern rebuke
from a creativity so compelled
that, denied the tools of your craft,
you carved your daily poem in soap
and committed it to memory
before washing your words away.
When the days pass me
with the pen's call unheeded
and my reluctance comes
from seeing the word as a foe
then I'll remember you, Irina,
and how the word set you free
from the darkest confinement.
I wrote this poem in 1987 when I read an article by PEN about the release from a gulag of the dissident Russian poet, Irina Borisovna Ratushinskaya.
http://en.wikipedia.org/wiki/Irina_Ratushinskaya
I come back to this old poem and post it now because, as a poet, I feel that I will need "the word" to set me free from the confinement of life in the Eastern suburbs of Christchurch which threatens to stagger on for months, even years. As quake-affected Cantabrians, we don't want pity, but we can always use some empathy, something my fellow Tuesday poets have in spades.
I wrote this poem in 1987 when I read an article by PEN about the release from a gulag of the dissident Russian poet, Irina Borisovna Ratushinskaya.
http://en.wikipedia.org/wiki/Irina_Ratushinskaya
I come back to this old poem and post it now because, as a poet, I feel that I will need "the word" to set me free from the confinement of life in the Eastern suburbs of Christchurch which threatens to stagger on for months, even years. As quake-affected Cantabrians, we don't want pity, but we can always use some empathy, something my fellow Tuesday poets have in spades.