Tuesday, 7 May 2019

Tuesday Poem: "Spleen" by Charles Baudelaire


(I)

February, peeved at Paris, pours 

a gloomy torrent on the pale lessees 

of the graveyard next door and a mortal chill

on tenants of the foggy suburbs too.


The tiles afford no comfort to my cat 

that cannot keep its mangy body still; 

the soul of some old poet haunts the drains 

and howls as if a ghost could hate the cold.


A churchbell grieves, a log in the fireplace smokes

and hums falsetto to the clock’s catarrh, 

while in a filthy reeking deck of cards


inherited from a dropsical old maid,

the dapper Knave of Hearts and the Queen of Spades 

grimly disinter their love affairs.


(II)


Souvenirs?

More than if I had lived a thousand years!


No chest of drawers crammed with documents, 

love-letters, wedding-invitations, wills,

a lock of someone’s hair rolled up in a deed, 

hides so many secrets as my brain.

This branching catacombs, this pyramid 

contains more corpses than the potter’s field:

I am a graveyard that the moon abhors,

where long worms like regrets come out to feed

most ravenously on my dearest dead.

I am an old boudoir where a rack of gowns, 

perfumed by withered roses, rots to dust; 

where only faint pastels and pale Bouchers 

inhale the scent of long-unstoppered flasks.


Nothing is slower than the limping days 

when under the heavy weather of the years

Boredom, the fruit of glum indifference, 

gains the dimension of eternity . . . 

Hereafter, mortal clay, you are no more

than a rock encircled by a nameless dread,

an ancient sphinx omitted from the map, 

forgotten by the world, and whose fierce moods 

sing only to the rays of setting suns.


(III)


I’m like the king of a rainy country, rich 

but helpless, decrepit though still a young man 

who scorns his fawning tutors, wastes his time 

on dogs and other animals, and has no fun; 

nothing distracts him, neither hawk nor hound 

nor subjects starving at the palace gate. 

His favorite fool’s obscenities fall flat

—the royal invalid is not amused—

and ladies in waiting for a princely nod 

no longer dress indecently enough 

to win a smile from this young skeleton.

The bed of state becomes a stately tomb. 

The alchemist who brews him gold has failed 

to purge the impure substance from his soul, 

and baths of blood, Rome’s legacy recalled 

by certain barons in their failing days, 

are useless to revive this sickly flesh 

through which no blood but brackish Lethe seeps.


(IV)


When skies are low and heavy as a lid

over the mind tormented by disgust,

and hidden in the gloom the sun pours down 

on us a daylight dingier than the dark;


when earth becomes a trickling dungeon where 

Trust like a bat keeps lunging through the air,

beating tentative wings along the walls 

and bumping its head against the rotten beams;


when rain falls straight from unrelenting clouds, 

forging the bars of some enormous jail, 

and silent hordes of obscene spiders spin 

their webs across the basements of our brains;


then all at once the raging bells break loose,

hurling to heaven their awful caterwaul, 

like homeless ghosts with no one left to haunt 

whimpering their endless grievances.


—And giant hearses, without dirge or drums, 

parade at half-step in my soul, where Hope, 

defeated, weeps, and the oppressor Dread 

plants his black flag on my assenting skull.

by Charles Baudelaire (translated from the French by Richard Howard)


For more information about the poet, Charles Baudelaire, see:


Wednesday, 1 May 2019

Tuesday Poem: "The Quality of Sprawl" by Les Murray


Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts 
to buy the vehicle back and repair its image.
Sprawl is doing your farming by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten-dollar notes:
that’s idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million-dollar deeds.
Sprawl lengthens the legs; it trains greyhounds on liver and beer.
Sprawl almost never says Why not? With palms comically raised
nor can it be dressed for, not even in running shoes worn
with mink and a nose ring. That is Society. That’s Style.
Sprawl is more like the thirteenth banana in a dozen
or anyway the fourteenth.
Sprawl is Hank Stamper in Never Give an Inch
bisecting an obstructive official’s desk with a chainsaw.
Not harming the official. Sprawl is never brutal
though it’s often intransigent. Sprawl is never Simon de Montfort
at a town-storming: Kill them all! God will know his own.
Knowing the man’s name this was said to might be sprawl.
Sprawl occurs in art. The fifteenth to twenty-first
lines in a sonnet, for example. And in certain paintings;
I have sprawl enough to have forgotton which paintings.
Turner’s glorious Burning of the Houses of Parliament
comes to mind, a doubling bannered triumph of sprawl – 
except, he didn’t fire them.
Sprawl gets up the nose of many kinds of people
(every kind that comes in kinds) whose futures don’t include it.
some decry it as criminal presumption, silken-robed Pope Alexander
dividing the new world between Spain and Portugal.
If he smiled in petto afterwards, perhaps the thing did have sprawl.
Sprawl is really classless, though. It’s John Christopher Frederick Murray
asleep in his neighbours‘ best bed in spurs and oilskins
but not having thrown up:
sprawl is never Calum who, drunk, along the hallways of our House,
reinvented the Festoon. Rather
it’s Beatrice Miles going twelve hundred ditto in a taxi,
No Lewd Advances, No Hitting Animals, No Speeding,
on the proceeds of her two-bob-a-sonnet Shakespeare readings.
An image of my country. And would that it were more so.
No, sprawl is full-gloss murals on a council-house wall.
Sprawl leans on things. It is loose-limbed in its mind.
Reprimanded and dismissed
it listens with a grin and one boot up on the rail
of possibility. It may have to leave the Earth.
Being roughly Christian, it scratches the other cheek
and thinks it unlikely. Though people have been shot for sprawl.

by Les Murray (17 October 1938-29 April 2019)

Leslie Allan Murray AO was an Australian poet, anthologist and critic. His career spanned over 40 years and he published nearly 30 volumes of poetry as well as two verse novels and collections of his prose writings. His poetry won many awards and he is regarded as the leading Australian poet of his generation. The National Trust of Australia named him one of the one hundred Australian Living Treasures.
RIP Leslie Allan Murray. 

Tuesday, 23 April 2019

Tuesday Poem: "Happiness" by Jane Kenyon


There’s just no accounting for happiness,
or the way it turns up like a prodigal
who comes back to the dust at your feet
having squandered a fortune far away.

And how can you not forgive?
You make a feast in honor of what
was lost, and take from its place the finest
garment, which you saved for an occasion
you could not imagine, and you weep night and day
to know that you were not abandoned,
that happiness saved its most extreme form
for you alone.

No, happiness is the uncle you never
knew about, who flies a single-engine plane
onto the grassy landing strip, hitchhikes
into town, and inquires at every door
until he finds you asleep midafternoon
as you so often are during the unmerciful
hours of your despair.

It comes to the monk in his cell.
It comes to the woman sweeping the street
with a birch broom, to the child
whose mother has passed out from drink.
It comes to the lover, to the dog chewing
a sock, to the pusher, to the basketmaker,
and to the clerk stacking cans of carrots
in the night.
       It even comes to the boulder
in the perpetual shade of pine barrens,
to rain falling on the open sea,
to the wineglass, weary of holding wine.

by Jane Kenyon


For more information about poet, Jane Kenyon, see:


Tuesday, 16 April 2019

Tuesday Poem: "Strange Fruit" by Abel Meeropol


Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black bodies swinging in the southern breeze
Strange fruit hanging from the poplar trees

Pastoral scene of the gallant south
The bulging eyes and the twisted mouth
Scent of magnolias, sweet and fresh
Then the sudden smell of burning flesh

Here is fruit for the crows to pluck
For the rain to gather, for the wind to suck
For the sun to rot, for the trees to drop
Here is a strange and bitter crop

by Abel Meeropol 

Abel Meeropol

Billie Holiday

For more about this moving poem which was adapted to become a famous song, see:

https://en.wikipedia.org/wiki/Strange_Fruit

For Billie Holiday's famous rendering of the song:


Tuesday, 9 April 2019

Tuesday Poem: "Beattie is Three" by Adrian Mitchell


At the top of the stairs
I ask for her hand.  O.K.

She gives it to me.

How her fist fits my palm,

A bunch of consolation.

We take our time

Down the steep carpetway

As I wish silently

That the stairs were endless.

by Adrian Mitchell



For more information on poet, Adrian Mitchell, see:


Tuesday, 2 April 2019

Tuesday Poem: "Letter to a Mass Murderer" by Andrew M. Bell


(for the 50 shaheed)

So dense is your hatred
I cannot see into your heart.
So blind is your hatred
you cannot see into another’s heart.
So deaf is your hatred
you cannot hear a young woman in a hijab
use the past tense, when telling the grieving crowd,
her father “was a nice man.”
So callous is your hatred
you turned the slaughter of innocents
into a video game.

As a child, did you ever wake from a nightmare
to be comforted by a parent?
Did you ever run in terror
from a playground bully?
Try as we might,
we cannot see where you stumbled as you ran,
twisting your logic
as you fell into the dark web
then on rising,
found yourself unable to continue
in the human race.

Over and over,
so we never forget this black day,
we will say the names of the fifty shaheed,
but we will never, ever, ever
say your name.

by Andrew M. Bell

For more information about the poet, Andrew M. Bell, see:


Tuesday, 26 March 2019

Tuesday Poem: "Writ on the Eve of My 32nd Birthday" by Gregory Corso


a slow thoughtful spontaneous poem

I am 32 years old
and finally I look my age, if not more.


Is it a good face what’s no more a boy’s face?   

It seems fatter. And my hair,

it’s stopped being curly. Is my nose big?   

The lips are the same.

And the eyes, ah the eyes get better all the time.   

32 and no wife, no baby; no baby hurts,   

         but there’s lots of time.

I don’t act silly any more.

And because of it I have to hear from so-called friends:   

“You’ve changed. You used to be so crazy so great.”   

They are not comfortable with me when I’m serious.   

Let them go to the Radio City Music Hall.   

32; saw all of Europe, met millions of people;

         was great for some, terrible for others.   

I remember my 31st year when I cried:

“To think I may have to go another 31 years!”   

I don’t feel that way this birthday.

I feel I want to be wise with white hair in a tall library   

         in a deep chair by a fireplace.

Another year in which I stole nothing.   

8 years now and haven’t stole a thing!   

I stopped stealing!

But I still lie at times,

and still am shameless yet ashamed when it comes   

         to asking for money.

32 years old and four hard real funny sad bad wonderful   

         books of poetry

—the world owes me a million dollars.

I think I had a pretty weird 32 years.   

And it weren’t up to me, none of it.   

No choice of two roads; if there were,

         I don’t doubt I’d have chosen both.   

I like to think 
chance had it I play the bell.
The clue, perhaps, is in my unabashed declaration:   

“I’m good example there’s such a thing as called soul.”   

I love poetry because it makes me love

         and presents me life.

And of all the fires that die in me,

there’s one burns like the sun;

it might not make day my personal life,   

         my association with people,

         or my behavior toward society,   

but it does tell me my soul has a shadow.

by Gregory Corso


For more information on poet, Gregory Corso, see: